Master of the Magdalene



A lot of newbie and even some long time Grail researchers get stuck in the esoteric. Of symbols having magical powers or communicate with ancient aliens or space time portals and new age gurus etc.  Whatever is the most obvious and somebody else has talked about they take it and run with it.  I admire anybody who has authored and published a book. It is not an easy task. 

It’s just that what I found in my own research took years and years, which Grail research needs for anybody to fully understand it.   Not just stories about the Holy Grail, but Greek and Roman history and mythology, art history, architectural history, royal symbols and customs and politics throughout the ages, and a lot more.  

The symbols we find in art and architecture allegorically represent all of it. But the way the symbols tell it is not what history books and Hollywood nor new age workshops tell us. 

Nothing is as what we’ve been told even by the new age workshops. It is all a ruse. We have to drop everything we believe and have been told and start with a clean slate and a very open mind. 

You’ve heard the saying “The Devil is in the details”. Mary Magdalene was once called the devil.  In the details of fine art and architecture we will find her lost story and the lost story of her relationship with the historical Jesus and their three children.  Coded into symbolic artworks, design, and architecture. Often in the mundane details

This image by Master of the Mansi Magdalene, circa 1510 to 1530, St. Mary Magdalene, oil on panel. Posted to our Grail Writers facebook group with a decoding by another author about the knot and Isis and menstruel blood. I admire the writer’s efforts. Decoding this stuff is not an easy thing to learn. But my findings are very different. 

The knot under Mary Magdalene’s pregnant belly has been associated with marriage, meaning she is married to the father of the child in her belly.  And possibly that the baby is a boy, which mean the historical Jesus had a legitimate male royal heir. This an important fact as to why their story may have been hidden. 

The knot is not a menstruel cloth, because it is much too bulky in the front, if you ask a woman it would be very uncomfortable and impractical to wear.  Also at that time and since then menstruel fluid was considered unclean.  Ancient Egyptians, Romans, Greeks, Hebrews, Hindus, and Islam were ALL clean freaks. They had to be to prevent disease. That’s why they had all that plumbing and all those baths in their palaces and public baths for citizens, even in chilly wet England.  This is from my years of traveling in different countries and cultures.  There are a lot of new age beliefs and hype which have no basis in reality, customs, or beliefs of the people that many new age workshops and gurus claim to be emulating. Doesn’t matter how long they’ve been doing it, the new age stuff is a conspiratorial ruse to keep the public distracted from the truth, from freeing themselves of mental slavery. 

The arch Mary Magdalene stands under represents one of her sons and the real grave of her husband, the historical person that the Biblical Jesus was loosely based upon.  Their eldest son cofounded Glastonbury Church in England with Joseph of Arimathea.  He may also be the real Josephus. 

The open jar can also mean several things:   1 Mary Magdalene is letting out her secrets in this artwork;   2 The jar is empty, so the hunt for the jar is a ruse that people most commonly fall into, as we’ve seen over and over throughout the ages. 3 The anointing of Jesus feet didn’t happen, at least not as we have been told. 

The Jar’s lid has a hidden compartment under it’s handle. Hidden histories that lifting the lid on can bring to light hidden different versions to what we’ve been taught in school. It also forms an orb with a circle in the middle, a symbol of the Sun, which can be interpreted as Sol Evictus. On 25 December 274 AD Roman emperor Aurelian made Sol Evictus an official cult alongside the traditional Roman cults. What you might call the official authorization and government endorsement of Christianity by another name.  

Mary Magdalene’s jewelry creates several symbols, like being story books unto themselves.  

U for Egypt - It’s in their crowns, the sun disc with the horns.  Hathor is commonly depicted as a cow goddess with head horns, a common depiction of Cleopatra. This is because Cleopatra we know from the movies was not the first nor the last woman pharaoh of Egypt. The historical person that the literary Mary Magdalene is loosely represents was the last female pharaoh. We are not told about her in school because it will tell us that the rest of school history books are fake. The truth shall set you free, as they say. 

V for Venus - Syncretistic with Isis and Mary Magdalene who is her blood descendant. Venus was born on Noahs Arc and saved her people by getting all the royal women to have multiple husbands to mix the gene pool to repopulate the Earth.  For that Venus was deified as a Goddess and temples to Fertility and love built in her honor. 

V for Victory - Nike, syncretistic with Mary Magdalene in allegory. The historical person that the literary Biblical Mary Magdalene represents. Mary Magdalene wasn’t a name it was a royal title and royals can have many names and many titles. Magda or Magi generally means Great King or Queen. For example Alexander the Great, Catherine the Great and so on.  

Rubies at Mary Magdalene’s throat and breast and on her brow. The ruby is the gem of the month of July as is the Pearl. Mary Magdalene’s birthday is the 22nd of July.   The ruby has been known as the “Stone of Kings” for many centuries.  This tells us that the Historical person that the literary Mary Magdalene was a monarch, a high queen.  Not a poor Jewish nobody. 

2 Crosses with 4 ruby points and 4 points of pearls. 8 pointed red star represents the order of the Knights Templar.  It also represents something that the Templars and Leonardo Da Vinci knew about the pyramids that they shouldn’t have known 700 years ago. It is a a hidden OOpart in code. 

Cross with 4 points represents the historical Jesus that the literary Biblical Jesus was based upon, but not in the way or the person that churches and schools or Hollywood teach. It is do do with the Knights Templar saying “Say what you see”. From there it takes a fair bit of history research and lateral cognitive thinking to work it out.  In a way it’s like a game of logic.  Once you let go of all the fake news and belief systems, your logic starts to kick in and it will do the decoding for you. You just need to open your mind listen.

3 Crosses most people would think are the 3 crosses of Calvary in the Bible. But they could also represent Mary Magdalene’s 3 children by the historical Jesus. Each child would have taken on their father’s name and family symbol. 

That Mary Magdalene is wearing a Knights Templar cross makes sense. There were and are women Templar Knights and privateers.  Women were some of the most feared warriors and successful pirates on land and sea, but modern history books don’t tell us that. 

Pearls represent Venus and the moon. The moon is also syncretic with the goddess Diana. Clues to Mary Magdalene’s Biblical flood ancestry and her true identity and her being a high royal.  Royal women are given pearls when they come of age, which can be at age 12 or 16 or 21. Basically marriage age or in ages past when they first menstruated. 

The Celtic designs on Mary Magdalene’s gold collar are interesting. The Celts were in England and Ireland in Mary Magdalene’s time. The historical Mary Magdalene had deep connections to Egypt and there are legends of an Egyptian princess coming to Scotland. But in this case it might be that ancestors of Mary Magdalene or Jesus came from England. 

The gold chains may represent the duty of a monarch. Ruling monarchs have no choice, because they are born into it and it is expected of them from birth. They are trained for it from small children and it rules every part of their lives. How they conduct themselves, their political views, who they are friends with, how they dress, who they marry, where their children are educated, what events they do or do not attend.  Hollywood make royals out to be super wealthy self indulgent ogres and harlots with no care for their peoples, yet the truth is very much the opposite. 

The luxuriousness of Mary Magdalene’s jewelry tells us she was not a poor Jewish lady of the night.  The ragged sheep herding fisher folk of modern Bible interpretations is a total misnomer.  The shrines that people pay to go to see in Israel are not the real places that the historical persons of Jesus and Mary Magdalene hung out. The real places are locked up and guarded, because they were in fact big luxurious palaces of very wealthy and important royals. Josh Bernstein, a celebrity Jewish archeologist made a great documentary about it and got access to these places to prove it with real evidence.

Mary Magdalene has a small waist and big hips, a a fertility goddess would, hidden stories of women. The real hidden Grail story includes a lot about women and how they had much more power and influence in governments and religions than school books and Hollywood tell us.  The very first gods were goddesses of the Earth and Fertility.  Egyptian and other royal governments once were all matriarchal, but history books won’t tell you that. You have to do the research and connect the dots yourself. 

Mary Magdalene is in half light and half shadow. Her story is as yet is only half told, if that.  People knew a lot more about her real story before the 20th century and celebrated it in art and architecture during La Belle Epoque.  Then in the 20th century history books got censored rewritten, whole libraries where empties and their books destroyed. So the general public and even dedicated researchers, authors, and documentarians today in 2018 know a lot less than half of the historical Mary Magdalene’s story. 

Mary Magdalene’s neckline and the seam down the front center of her gown look like a pronged fork. A symbol of Neptune, father of Venus.  We know him as Noah in the Bible, the flood story.  The historical Mary Magdalene is their descendant.  If it is a two pronged fork it is Hades, which will take more research.

The line down her belly continues upward through her jewelry deciding one side of the image from the other and the jar from its lid. As if part of her is in one place and another part of her is in another. 

Mary Magdalene’s headdress and its tail floating out around her head is a transparent veil. The  Veil of Veronica, a religious relic and which is a hidden clue to Mary Magdalene’s real name.  Also called the Sudarium, often called simply "The Veronica”.  “Western tradition recounts that Saint Veronica from Jerusalem encountered Jesus along the Via Dolorosa on the way to Calvary. When she paused to wipe the blood and sweat (Latin sudor) off his face with her veil, his image was imprinted on the cloth. The event is commemorated by the Sixth Station of the Cross. According to some versions, St. Veronica later traveled to Rome to present the cloth to the Roman Emperor Tiberius and the veil possessing the Grace of God, was able to quench thirst, cure blindness, and even raise the dead.” The story was not recorded in its present form until the Middle Ages. Wikipedia.

The wavy shape of Mary Magdalene’s upheld sleeve reminds me of water, a sea journey. She is holding the lid of the jar pointed towards her unusually uncovered ear. When we put seashells or any small vessel to our hears we can hear the sea. Her veil waving behind her looks like a sea at night.  On the same hand her finger on the jar lid points up, so we look up. The carved shape above her head looks a bit like a bay. Mary Magdalene or her remains have taken a sea voyage, maybe more than one voyage or sea, to a bay far away. Maybe somewhere not on publicly available maps at the time the painting was created. (This is part of a theory I’m currently working on, may not be correct, still more research to do.)

The frame is just as important, also the surroundings of where the artwork was originally placed. Where the artwork was hung and the rest of the frame around this painting are missing in the photo, so the allegorical picture book that this artwork actually is has been rendered incomplete.

Image from Wikipedia: by Master of the Mansi Magdalene, circa 1510 to 1530, St. Mary Magdalene, oil on panel

Research and Symbol Interpretation by D.A. Hodgson 
http://codedhistory.com




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