Wednesday, January 27, 2016

Et in Arcadia Ego Mystery Solved


Australian art historian and real life symbologist D.A.Hodgson, has found the answer to a centuries old puzzle, from researching coded art works in San Francisco.  For fans and enthusiasts of the Holy Grail and Da Vinci Code mysteries this is the next chapter in a much larger 2000 year old puzzle.

The phrase Et in Arcadia Ego was etched in code on the gravestone of Marie de Blanchefort, at the church in the village of Rennes le Chateau. RLC as fans call it, is situated the south of France where Mary Magdalene is said to have lived with her family after Jesus’s crucifixion. A Catholic priest, Berenger Sauniere in the late 19th century, found parchments hidden in the church stating to this effect and apparently more.  

 Sauniere took the parchments to the Catholic authorities in Paris and after that became mysteriously billionaire like wealthy from selling blessings.  Sauniere lived a high lifestyle, though spent most of the money on improvements to the church and village and helping the community and his flock. But the parchments and the information contained in them forever remains a mystery to this day.

Nicholas Poussin’s painting “The Shepherds of Arcadia” is central to the mystery. The painting depicts a group of shepherds pointing to a tomb etched with the words “Et in Arcadia Ego.”   It was believed by British journalist, Henry Lincoln, that the tomb existed near Rennes le Chateau and he published in a popular documentary and book in the 1970’s, and other books since. Lincoln collaborated on the 1982 book, “Holy Blood Holy Grail” with  Michael Baigent and Richard Leigh. Which were source works for Dan Brown’s Da Vinci Code. 

 The tomb was eventually destroyed by the land owner in the 1980‘s. Growing numbers of treasure hunters were digging up his property looking for the Holy Grail and Knight’s Templar treasure.   What remains is only the puzzle “Et in Arcadia Ego”, which thousands of researchers and fans of the Holy Grail mysteries have tried to solved. 

After six years research D.A. Hodgson, art historian by night, investigative researcher by day, found the solution to the Et In Arcadia Ego in San Francisco, California.  “The answer to the puzzle came to me gradually, over a year or more, while making ongoing studies of coded art by old masters at the Legion of Honor museum” describes D.A. Hodgson.  “One day it all fell into place and made sense with cross referencing to support it.”

"Et In Arcadia, the painting and message actually tell a lot about the Jesus family. These paintings were inspired by ancient secret society secrets of the Masons.  True Masons are all scholars of classical mythology and allegory, as well as political history, and hand crafts, arts, architecture.

As an initiate it takes a least 5 years of full time study and independent research to grasp the basics. Easier if you have had childhood pre training, as some of us from old noble families did. Some of my mentors and grandmasters have been researching 50 years and more.

The Masons have been around since long before the Bible, and have always been well organized.  The Jesus family were high royals and very wealthy, their relics have been cared for to this day.  If read in allegory this painting tells us who they were and a guide map to where some of their relics, or graves, might be.

It has been difficult to wrap my head around, because what it says is not what Hollywood and post 19th century history books tell us. There was a complete rewrite of school history books then. The publisher responsible was owned by the Rothschild family, founders and owners of the centralized banks then and today, who were responsible for annexing the area we now know as Israel.

For me it made sense, because I was never taught Jesus was Hebrew. I was taught he was Christian  and converted the Hebrews. My family has built churches for centuries in multiple countries. "

D.A.Hodgson’s research is available in an affordable art filled e-book on Mary Magdalene with the Et in Arcadia Ego solution. It also tells of Mary being married to Jesus and new information about their children.   The photos and artworks in the book are shot and created and the book researched and authored in Haight Ashbury San Francisco. 

D.A. Hodgson also produced a beautiful documentary short on San Francisco’s coded history and real life links to the Holy Grail legends.

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http://decodedhistoy.blogspot.com

Friday, January 15, 2016

Krishna as Christ

Lord Krishna syncretistic with Jesus Christ, Hermes, Apollo and Horus.

The U shape between his eyes, there is a style of symbolic painting of Christ that also has it.

When we see pictures of Jesus with a peacock or peacock feather it is telling us he was in India.

The ruby in his headdress clasp can relate to unicorns. Unicorns were said to come from India and were supposedly hunted for the rubies in their skulls.

The pearl earrings, pearls were once only worn by royalty. Pearls signify the noble families surviving the Biblical flood.

Krishna had 12 female followers, the Gopis, as Jesus had 12 followers, the disciples.  From Wikipedia. Besides his wife Rahda and 7 other principal queens,[1] Hindu god Krishna, an avatar of the god Vishnu and the king of Dwarka - in the Dwapara Yuga (epoch), is described to have many unnamed junior wives. Their number is mentioned as 16,000 or 16,100 in different scriptures. Krishna accepted them as his wife upon their insistence to save themselves from the society who saw them as concubines of the demon king Narakasura. The chief amongst them is sometimes called Rohini. They were all kidnapped and held captive by the demon-king Narakasura. When Krishna slew Narakasura, he accepted all the captive women upon their insistence to safeguard their dignity. After marriage, they all lived in Dwarka, in a divine happiness.

Friday, January 1, 2016

Bears in Stone and Secrets


This photo of a stone relief from England was posted to a discussion group recently and a few people and myself attempted to decode it.  Some people focused on decoding the lettering, others the geometry.


Original post and photos from Gino Oliviero “The problem with Trebha Cooper, is that he has a fantasy so vivid that even when he finds something interesting, nobody believes him. As a resident philologist of Val Wineyard Publishing, anytime someone asks “what is written there?” I feel a compulsive instinct to solve the problem. In the picture I can clearly read “T “, then a shield with two squares as word divider and “sponsam” with a damaged “a”. In another picture I could read “Tecum” (with you). Of course it is latin and sponsam is “bride” in the object case (grammatically). So the […]T belongs probably to a verb in the third person, likely “amat” (loves). So very likely the sentence is “Sponsus amat sponsam” (the groom loves the bride). After a little search, I found that I was right and all the sentences carved in the stones around the church of Mary Magdalene in Launceston appear in the Topographical Dictionary of England at the entry “Launceston”. The interesting fact is that the church was built in 1540 by Sir Henry Trecarrell Knight (sic!). If anyone needs the complete Dictionary entry can write me privately.”



Trebha Cooper: As i keep telling you my evidence is in art lterature stone and sacred geometry, which is all Pythagorean, my evidence is irrefutable, that is how i found this church in Launceston, by measurement.  Here the sacred geometry reveals the name GRAAL, THIS IS FOR INITIATES BECAUSE THE CHURCH AT RLC, Rennes Les Chateau, IS THE TREASURE OF CLUES TEMPLE.



Trebha Cooper: Here is more evidence, there are two Pythagorean triangles and they spell out two names,,, Gar and Lam,,, now these are Irish names hidden from the profane, they mean hand and thigh,, this is Pythogarean.

Trebha Cooper: YOU CANNOT ARGUE WITH FACTS AND THE FACT IS THESE THREE CITIES FORM A PYTHAGOREAN TRIANGLE YOU CANNOT ARUE WITH THE GEOMETRY WHICH IS REAL


‪Sally Jacobs‬:  "It spells out in Latin ‘Hail, Mary, full of grace! The Lord be with thee. The bridegroom loves the bride. Mary hath chosen the best part. O, how terrible and fearful is this place! Truly this is no other than the house of God and the gate of Heaven."

Cyndi Wallace-Murphy‬ (Wife of researcher and author Tim Wallace Murphy):  "All I see is Tecvm at the moment."


But what I zoned in on was the first picture and the top row of bears. It startled me as I'd just completed an extensive block of research on legends that Jesus was a progenitor of those tribes.  The Ainu tribes are around 2000 years old and have unusual traits that can be tracked back to the era and locations of Jesus. They also have European genetics and physical features. I asked a grandmaster I knew who was also in the group if the stone relief could be a genealogical tree and received some interesting answers.

Me: Archangel Michael in runes, and a bear tribe (a tribe that sacrifices bears.) Last known bear tribe was Ainu, Siberia and China and Japan. Some many get what this means, yes? It is a genealogy tree of tribes telling us where the tribes went. The bottom row are probably royals and saints. Probably descendants of the Holy Family. Above those are the various tribes the descendants created. Is this roughly correct ‪Duncan Burden‬? What are the other rows above and below and when was this stone carved? From there maybe can track more.

‪Duncan Burden‬: ‪I am sorry, I am at a loss a little. I have read through this thread, and can't see either point. Perhaps I have missed pre-cursor to this thread. I should clarify, that I think often that we each have a specific field of knowledge or passion, and we think the answer is in our field and not in others, when possibly the answer is in a mixture. Most classical encryption relied on the audience knowing the Seven Liberal Arts and Sciences, of the Trivium and (normally) just one of the Quadrivium. For this I try not to ignore Trebha's work out of hand, as Geometry is one of the Quadrivium, and Pythagorus would be a character that appears regularly in all the Quadrivium subjects. BUT and its a big 'but' (not butt), I think, with respect, Trebha makes the incorrect assumption that due to Pythagorus being referring to so often, that this ancient Greek is the key, and that all this is to do with a single character. This is highly unlikely to be correct, as much references to Pythagorean concepts from classical education is actually from Pythagorean 'schools' established under his ideas, and not under his direct tutorage or discoveries. Then, saying this, there is the most important Trivium, the understanding of language, even symbolic language, for a person to understand that dialect they would need to appreciate the dialect, I am not a follower/student of Grail dynasties, so could not comment on that, but if lingustic parallels could be drawn from such engravings, then it could be possible. For a personal note, the strongest argument of anything akin to a Grail dynasty, in my ignorant opinion, was put forth by Hugh Montgomery. Whether that is from a real divine descendance, or a instilled faith in such a descendence, is the subject of debate. If this lineage is THE Grail or A Grail, is of equal debate.

Me:‬ Sorry ‪Duncan Burden‬ I wasn't meaning for you to confirm a Grail dynasty. Instead that the design is in effect a like a genealogy tree... from a Masonic, masonry arts, or symbolic design perspective. I tend to read the symbology in a kind of allegorical shorthand these days. Then fill in the rest as I go back and cross reference. It can seem a little weird.

‪Duncan Burden‬: My apologies for misunderstanding. Then, yes, if each symbol could equally reflect a known quality to a family's genealogy, and considering the central theme of 'marriage', then it would seem probable that the collective engraving could be a family tree. It would also be in-keeping with the funding of building a church, as it would be a sign of respect not just to God, but also to the heritage of the family paying for it, so to combine both would almost be expected. Yet, I would have to rely on someone elses assurance of an equal value of descriptive for each symbol, as it is this factor that would give the assurance. Its the age of requirement of encryption - it is not just the act of hiding something, but hiding it in a fashion that it could be found by an intended party, as such, if an encryption exists then a single key value would be used to decrypt it, as the key not only solves the puzzle, but also gives the assurance to the reader that they have the right and intentional answer.

Me: Very cool, thank you.  The keys I find in different things. Sometimes it just comes to me, like memories from odds and ends of information. The key so far to this one is the bear, at least for that part of the tribe. Just that one section spans many centuries and many countries. I'm finding more and more the story is coded into design itself, these days without the creator of the design knowing it. Amazing and weird.

‪Duncan Burden:‬ I can appreciate that, especially with your reference to 'without the creator of the design knowing it'. Often a really powerful 'symbol' gains more signifcance than the thing is was originally meant to represent. For me, that is how I see the word 'Grail', that its signifcance grew to beyond its own symbolic reference and became real - if that makes sense. Thus, writers and artists, depending on what they have been taught, or believe, inadvertantly extend on existing values of a symbol without really knowing it. Does that make sense? So sounded like a ramble....more than likely was lol.

Me: No not rambling. Visualize a bunch of symbols flying around, picked up from research all over the place. Then some symbols connect and as they connect they fall together into a story. When I go back to research or cross reference, or check with a mentor, they make sense. Spookily so. Piece by piece the story comes together. I now have to be careful walking around else bump into things, as I see the story everywhere in design.